Bowerbird is pleased to present Nathan Davis in a solo performance at The Rotunda.

Finding narrative in natural processes and acoustic phenomena, Nathan Davis’s solo work elucidates essential characters of instruments and objects. This concert presents his recent work with the bowed psaltery alongside pieces for river stones and amplified computer, supported by and immersive video projections.

“It is beautiful, haunting, immersive. A meditative sound world to live in for a time and think about once you’ve left… In Davis’ hands, the psaltery soars and twangs, pings and croons. Gentle and meditative at one moment, sharp and melancholy the next, evoking fluid shapes and celestial voices moving together through a complex, slowly shifting soundscape. It is both of this world and somehow beyond it.” – Megan Westberg – STRINGS Magazine

ABOUT THE ARTISTS

Nathan Davis “writes music that deals deftly and poetically with timbre and sonority” (NY Times). His opera/ballet “Hagoromo” was produced by American Opera Projects and premiered at the BAM Next Wave Festival with the International Contemporary Ensemble, the Brooklyn Youth Chorus, choreographer David Neumann, and dancers Wendy Whelan, and Jock Soto. Lincoln Center presented the premiere of “Bells”, a site-specific work for ensemble, multi-channel audio, and live broadcast to audience members’ mobile phones.

Nathan received other commissions from GMEM and Ensemble CBarré (Marseille), FringeArts and the Pew Center for Arts & Heritage, Donaueschinger Musiktage (Germany), Yarn/Wire, Claire Chase, Ekmeles, Miller Theatre, Ojai Music Festival, the Calder Quartet, and Third Coast Percussion, with premieres at Tanglewood, Park Avenue Armory, Guggenheim Museum, and Carnegie Hall. His music has been released on Starkland, Tundra, New Focus, Bridge, Infrequent Seams, and Sono Luminus.

An Aaron Copland Fellow at the Bogliasco Foundation, Davis received awards and fellowships from the Camargo Foundation, New Music USA, NYSCA, Meet The Composer, Fromm Foundation, Jerome Foundation, American Music Center, MATA, and ASCAP. He and Phyllis Chen won an NY Innovative Theater Award for their score to Sylvia Milo’s play “The Other Mozart”.

An active percussionist and multi-instrumentalist, Nathan has premiered hundreds of works by luminaries and by emerging composers, and he appeared as a concerto soloist on hammered dulcimer with the Seattle Symphony, Tokyo Symphony, and Nagoya Philharmonic. Davis holds degrees in composition and in percussion from Rice, Yale, and the Rotterdams Conservatorium on a Fulbright Fellowship, and he teaches composition and electronic music at The New School. www.nathandavis.com